Joseph Roth: Hiob. (English title: Job) ISBN 978-3-423-13020-2 ⭐️⭐️⭐️⭐️⭐️ Mendel Singer is an ordinary Jew in an ordinary Russian hamlet. Singer fears God and can recite for every situation in life an appropriate passage of the Torah. He has a wife, Deborah, whom he loves despite her occasional furors, two sons, Jonas and Schemarjah, and a daughter, Mirjam. A fourth child is underway, and shortly after its birth, it becomes clear that Menuchim is unlike the others. He doesn’t grow properly, he doesn’t talk properly. He seem condemned to remain an idiot with occasional epileptic fits.
It is the first of Mendel’s trials by God and more are to follow. A specific destiny seems to be reserved to each member of the family and in the end Mendel loses his faith both in God and mankind. “God is cruel and the more one obeys him, the more severe he becomes” – that’s Mendel’s conclusion. He wants to burn his book of prayers, his prayer shawl, the tallit, and his tefillin, the leather box with passages from the Torah coiled inside. But Mendel’s hands refuse to obey Mendel’s anger against God’s apparent lack of justice.
For God’s ways are inscrutable and a miracle concludes this very moving novel, published in 1930. Roth was an exceptionally gifted narrator and the way he explores the mystery of faith, the tension between religion, tradition and the modern, secular society is in the tradition of the best German writers. Until recently I didn’t know nothing about this author and I am truly glad to have discovered his writing.
The possibility of faith is a recurrent subject in classical music and the Estonian composer Arvo Pärt has written a “Te Deum” in which I hear the magnitude of the question: