Alexandre Dumas: Le Comte de Monte-Cristo (Tome 1 & 2) ISBN 978-2-253-09805-8/978-2-253-09806-5 ⭐️⭐️⭐️⭐️⭐️
Tom Reiss: Black Count. Glory, Revolution, Betrayal, and the Real Count of Monte Cristo ISBN 968-0-307-38247-4 ⭐️⭐️⭐️⭐️⭐️
The Holocaust has been an important subject on this blog lately, and I must confess, reading about it was exhausting and at times depressing. What I needed then in terms of reading was a radical break, and I found it in Alexandre Dumas’ famous novel “Le Comte de Monte-Cristo”. What a beautiful work! There’s love, treason, conspiracy, suffering and vengeance. In the end, the evil ones will be punished while the just triumph and real romances starts to blossom. What more can you expect from a novel in the middle of the summer? I was amused by the plot devised by Edmond Dantès alias the Count of Monte Cristo, captivated by Dumas’ extensive descriptions of people and landscapes, and en passant I learned a couple of new-old French words I had to look up in my battered dictionary. Well done!
The novel by Dumas naturally led me to Tom Reiss’ book about the person who inspired the character of Edmond Dantès: Alexandre Dumas’ father, Thomas-Alexandre Dumas, son of a nobleman and a slave from Santo Domingo, the Haiti of these days. Dumas senior was the first black general of the French army, a hero of his times. He was a contemporary of another general, Napoleon Bonaparte. Dumas contributed in a decisive way to Napoleon’s victory of Austria and took part in his ill-fated Egypt expedition. Being a black man in a high position illustrated that the decade following the French Revolution let France’s human rights record glow in a bright light.
However once Napoleon announced his political ambitions and turned into a violent autocrat, this light began to fade. Black people in France became subject to ever stricter segregation rules. Thomas-Alexandre Dumas was to suffer from both this worsening climate and the jealousy of Napoleon. Dumas was famous, he was an imposing figure and the Austrians called him the “Black Devil”. Napoleon did not tolerate any perceived rivals, and certainly not black ones. His government abandoned Dumas when he was taken prisoner by the Italians and thrown into jail. Dumas even suspected that the French government gave the order to poison him.
Thomas-Alexandre Dumas’ fate at the hands of the Italians inspired his son, Alexandre Dumas the novelist, to start his novel with the imprisonment of Edmond Dantès at the Château d’If. And when Dumas mocks the customs of the French nobility and the newly empowered bourgeoisie in his novel, he obviously refers to the climate in which his father first strived and then sunk into misery. Dantès’ quest for justice under the alias of the Count of Monte Cristo reflects the novelist’s desire to avenge his father and to have his former glory restored.
Tom Reiss book is remarkable for two reasons: The story of the black general needed to be told as he has been forgotten in France while Napoleon is still glorified by many. And the way Reiss let’s the reader embark on his own investigation about this man is a brilliant story in itself. Digging through French military archives and breaking into a safe to get hold of the general’s personal document – mon Dieu! “Black Count” was awarded the Pulitzer Prize and again I would like to say: Well done!
Edmond Dantès was illegally imprisoned after a vile denunciation, and Dumas novel is about the transformation of a man in a cold and damp cell. Dantès learns of a hidden treasure on the island of Monte Cristo, and after his escape from the Château d’If, he takes up the alias “Comte de Monte-Cristo” first to help hose who helped his father while he was locked away, and then to punish those responsible for his captivity. This transformation from protector to avenging angel is one of the turning points of the novel, and it’s setting is Rome during the carnival season. What other music could I recommend than Hector Berlioz’ overture “Le Carneval Romain”: